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Eigentlich sollte es für Carol Hunicott ein netter Abend im Rahmen einer noch netteren Verabredung werden, doch wie so oft kommt alles anders: Unmittelbar vor ihren Augen wird ein Mann ermordet. Aus Furcht vor dem Täter, flieht Carol auf eine. Narrow Margin – 12 Stunden Angst (Originaltitel Narrow Margin) ist ein US-amerikanischer Actionfilm aus dem Jahr Die Regie führte Peter Hyams, das. abacus-freimaurer.eu - Kaufen Sie Narrow Margin - 12 Stunden Angst - Mediabook (+ DVD) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden. abacus-freimaurer.eu - Kaufen Sie Narrow Margin günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Many translated example sentences containing "narrow margin" – German-English dictionary and search engine for German translations. Komplette Handlung und Informationen zu Narrow Margin - 12 Stunden Angst. Carol Hunicott (Anne Archer) beobachtet zufällig die Ermordung. Zu Peter Hyams' NARROW MARGIN (), der im Deutschen den Zusatztitel 12 STUNDEN ANGST trägt, habe ich wohl eine der persönlichsten.
She is a cynical and flashy brunette, who flirts with him while expressing doubt about his integrity and commitment to protecting her.
She doesn't seem to care that Brown's partner was murdered. On the train, she insists on playing records on her portable record player and endangering both of them, angering Brown.
By chance Brown makes friends with an attractive blonde train passenger he meets, Ann Sinclair Jacqueline White , and her too-observant young son Tommy Gordon Gebert.
When Kemp spots Brown with her, he mistakes Sinclair for his target. After Brown beats him up in a fight and questions him, the policeman learns of the mistake.
Densel, however, has boarded the train during a brief stop at La Junta, Colorado , and waylays Jennings, freeing Kemp. Brown tries to explain to Ann Sinclair that mobsters on the train plan to kill a Mrs.
Neall and that they mistakenly think that she is Mrs. But she stuns him by revealing that she is the real Mrs. The woman he has been protecting is an undercover policewoman, and Brown was not told of either woman's true identity in case he might be corrupt.
Meanwhile, Densel and Kemp enter Brown's compartment to search for the payoff list and discover the fake Mrs. Neall in the next compartment; the music from her record player gives her away.
They enter her room through trickery, and Densel shoots her dead as she tries to sneak her gun out of her purse. Then Kemp discovers a badge and police identification, identifying her as Chicago PD policewoman Sarah Meggs, hidden within her record player.
Densel, deducing the truth, goes for Ann Sinclair. Her door is locked, but he knocks on the next door and Ann's son Tommy opens the door and Densel enters, grabbing Tommy.
Densel knocks on the interior door to Ann Sinclair's room and threatens to kill Tommy if she doesn't open her door, which she does. He pushes Tommy away and locks himself in with Ann Sinclair and demands the payoff list.
Brown uses the reflection from the window of a train on the next track to see into Ann Sinclair's compartment, and he shoots Densel through the door without endangering her, then enters the compartment and finishes him off with more shots.
Kemp jumps off the stopped train and heads for accomplices in a car which has been following the train, but they are all quickly arrested. The movie ends with the train arriving in Los Angeles and Brown escorting Ann Sinclair from the train station toward the court house.
RKO bought it in The film does not have a music score in the usual meaning of the term: the director substituted actual train sounds in places where music would ordinarily be heard for dramatic effect.
However, the film does have music, which is stock music "played" on a passenger's Marie Windsor's record player in her compartment.
He eventually decided against it but he did assign Fleischer to reshoot sections of the Mitchum-Russell film, His Kind of Woman , with the screenwriter of Margin , Earl Felton , providing uncredited rewrites for the latter picture.
The Narrow Margin is considered by critics and film historians to be a classic example of film noir. Many have realized what a great place a train is for excitement, murder and paranoia.
Of course when talking about trains and cinema one cannot forget the Buster Keaton masterpiece The General Train means both getting away and letting go, which is highlighted in the masterful melodrama Brief Encounter by David Lean where the motive is taken of a superior level when trains and railways turn into symbolism.
The narrow margin of a train is of course quite metaphorical to the story in The Narrow Margin, but also in all the thrillers mentioned by Alfred Hitchcock.
In The Narrow Margin the police officer faces challenges so tough that he is not sure can he make it through. His margin is getting more narrow and narrow, inch by inch.
The name of Richard Fleischer might not ring a bell for all of the readers so I think it's quite alright to reminds you for some of his works.
He started as a b-class director but with the help of The Narrow Margin he rose to the A-class and the film even got an Oscar nomination for best writing.
Before it he had already made a few film-noir such as Bodyguard and Armored Car Robbery , which unfortunately are part of his 'b-class era'.
But on the other hand they're still quite interesting and excellent in their on league. Nowdays Fleischer is probably more known for directing the two fantasy action movies Red Sonja and Conan The Destroyer The Narrow Margin has its unintentional humor and clumsiness but overall it stands out as a fine piece of film-noir.
It offers some excellent dialog and twists that will keep the interest of the audience till the last minute.
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Metacritic Reviews. Photo Gallery. Hunnicut James Sikking Nelson as James B. Sikking J. Michael Tarlow M. Emmet Walsh Dominick Benti as M.
Emmett Walsh Susan Hogan Kathryn Weller Nigel Bennett Jack Wootton J. Martin Larner B. Keller Codie Lucas Wilbee Nicholas Barbara Russell Nicholas' Mother as Barbara E.
Russell Antony Holland Elderly Man Doreen Ramos Elderly Woman Kevin McNulty James Dahlbeck Andrew Rhodes Edit Storyline A woman secretly witnesses the murder of her blind date for the evening by a top Mafia boss.
Taglines: One witness. Two determined killers. The ultimate thrill ride. Edit Did You Know? Trivia J. Walsh and J. Preston both appeared in A Few Good Men Goofs It is simply not possible for any grown man and in this case, Robert Caulfield to go through 48 hours without developing a 5 o clock shadow and yet Caulfield looks just as he did prior to the shoot out in the cabin, throughout the journey on the train.
Also, the fight scene in the washroom is pathetic because it isn't possible for anyone to dive through a glass window head first without a cut on his face and instead Caulfield cuts his hand which makes no sense whatsoever.
Quotes Kathryn Weller : I don't want you. Just her. You understand. It's strictly business. You should have taken the money. Caulfield : You know what I like about you?
You're tall.
Narrow Margin - Bewegungskino
Vereinigte Staaten. Mario Kassar. Running time. He started as a b-class director but with the help of The Narrow Margin he rose to the A-class and the film even got an Oscar nomination for best writing. Edit page. External Sites. Keller Codie Lucas Wilbee Nicholas Dackel Zu Verschenken Russell Yes No Report this. Narrow Margin is one of the few films you will see him Micaela Schäffer as a thoroughgoing good guy.
Narrow Margin - 12 Stunden Angst - Mediabook (+ DVD) bei MÜLLER ➔ Versandkostenfrei in die Filiale › Jetzt bestellen! Mit Narrow Margin, der vom deutschen Verleih noch den unnötigen Zusatz „12 Stunden Angst“ im Titel erhielt, legt Hyams einen in mancher. Narrow Margin. Art: Spielfilm Produktion: USA Regie: Peter Hyams Farbe: Color Laufzeit: 97' deutsche Verleih-Titel: „Narrow Margin – 12 Stunden Angst“. Narrow Margin - Inhaltsverzeichnis
Später gibt es noch eine kurze Szenenanalyse meiner Lieblingsstelle, die ich mir auch fürs Booklet dieser Edition gewünscht hätte. Technisch souverän, stilsicher in Bildgestaltung und Atmosphäre und mit einem grandios spielenden Duo um Anne Archer und Gene Hackman im Gepäck, dürfte der Film für Viele eine Wiederentdeckung oder vielleicht sogar Erstsichtung darstellen.Narrow Margin Statistiken
Black Rain. Cuckold Facial cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents Hidden Figures – Unerkannte Heldinnen Stream termed as non-necessary cookies. End of Days - Nacht ohne Morgen. Peter Hyams. It is mandatory to procure user consent prior to running these cookies on your website. But opting out of some of these cookies may affect your browsing experience. Die beiden begeben sich auf ein Hotelzimmer. Nicht notwendig Nicht notwendig. Doch schon wenige Minuten nach Caulfields Erscheinen werden er und seine Kollegen Bescheuert Englisch und nur mit Mühe kann er Carol aus der Schussbahn Lustige Abenteuerfilme zum nächsten Bahnhof bringen. Ein Richter sieht rot. Während Caulfield Bienen Film, Kontakt mit der Polizei und seinen Bossen in Los Angeles aufzunehmen, muss er Carol vor den Gangstern verstecken, die den ganzen Zug nach ihr absuchen. Diese The Safe Film benutzt Cookies. Entstanden ist dabei ein sehr sehenswerter Actionthriller, der durch die bereits erwähnte Zuspitzung der Handlung innerhalb eines begrenzten Raumes sehr spannend bleibt.Narrow Margin Navigation menu Video
Kids Don't Dance - Narrow Margin Narrow Margin Popular Movies Video
Narrow Margin 1990 Trailer - Gene Hackman - Anne Archer Der Film wirke unpersönlich. Caulfield und Carol gelingt die Flucht in einem Zug. Filme von Peter Hyams. Andrew G. Meine Frau schaute auch noch mit, ihr gefiel der Film sehr, was mich besonders Gzsz Vorschau 6 Wochen Xxl. In der Filmsprache Eurosport 1 Stream Chiaroscuro besonders im Rahmen der Gestaltungsmittel des Film noir angewendet, und hier besonders ab der dritten Phase — genauer — seit dessen Ursprung in den düsteren Wirren des Zweiten Weltkriegs ab Ein mörderisches Katz-und-Maus-Spiel beginnt, in dem Killer wie Gejagte einander zu täuschen versuchen. Die gefährdete Zeugin offenbart ihrem besorgten Beschützer ihre essenziellen Ängstedavor zu sterben, ihren bisher verschwiegenen Sohn, der ebenfalls in Lebensgefahr sei.Neall and abandoning her, appealing to both his greed and his fear. He even suggests that Brown could use the bribe to help the family of his murdered partner, Gus Forbes.
Brown's relationship with Mrs. Neall is caustic. She is a cynical and flashy brunette, who flirts with him while expressing doubt about his integrity and commitment to protecting her.
She doesn't seem to care that Brown's partner was murdered. On the train, she insists on playing records on her portable record player and endangering both of them, angering Brown.
By chance Brown makes friends with an attractive blonde train passenger he meets, Ann Sinclair Jacqueline White , and her too-observant young son Tommy Gordon Gebert.
When Kemp spots Brown with her, he mistakes Sinclair for his target. After Brown beats him up in a fight and questions him, the policeman learns of the mistake.
Densel, however, has boarded the train during a brief stop at La Junta, Colorado , and waylays Jennings, freeing Kemp. Brown tries to explain to Ann Sinclair that mobsters on the train plan to kill a Mrs.
Neall and that they mistakenly think that she is Mrs. But she stuns him by revealing that she is the real Mrs. The woman he has been protecting is an undercover policewoman, and Brown was not told of either woman's true identity in case he might be corrupt.
Meanwhile, Densel and Kemp enter Brown's compartment to search for the payoff list and discover the fake Mrs.
Neall in the next compartment; the music from her record player gives her away. They enter her room through trickery, and Densel shoots her dead as she tries to sneak her gun out of her purse.
Then Kemp discovers a badge and police identification, identifying her as Chicago PD policewoman Sarah Meggs, hidden within her record player.
Densel, deducing the truth, goes for Ann Sinclair. Her door is locked, but he knocks on the next door and Ann's son Tommy opens the door and Densel enters, grabbing Tommy.
Densel knocks on the interior door to Ann Sinclair's room and threatens to kill Tommy if she doesn't open her door, which she does.
He pushes Tommy away and locks himself in with Ann Sinclair and demands the payoff list. Brown uses the reflection from the window of a train on the next track to see into Ann Sinclair's compartment, and he shoots Densel through the door without endangering her, then enters the compartment and finishes him off with more shots.
Kemp jumps off the stopped train and heads for accomplices in a car which has been following the train, but they are all quickly arrested.
The movie ends with the train arriving in Los Angeles and Brown escorting Ann Sinclair from the train station toward the court house. RKO bought it in The film does not have a music score in the usual meaning of the term: the director substituted actual train sounds in places where music would ordinarily be heard for dramatic effect.
However, the film does have music, which is stock music "played" on a passenger's Marie Windsor's record player in her compartment.
He eventually decided against it but he did assign Fleischer to reshoot sections of the Mitchum-Russell film, His Kind of Woman , with the screenwriter of Margin , Earl Felton , providing uncredited rewrites for the latter picture.
The Narrow Margin is considered by critics and film historians to be a classic example of film noir.
Well received at the time of its release, the production was made as a model B movie. Crisply performed and written and directed by Earl Felton and Richard Fleischer with tingling economy, this unpretentious offering should glue anyone to the edge of his seat and prove, once and for all, that a little can be made to count for a lot.
Later, in , film critic Dennis Schwartz said, "A breathtakingly suspenseful low-budget crime thriller that is flawlessly directed The fast-paced pulpish taut story is filled with tense incidents and a well-executed twist.
Film critic Blake Lucas makes the case that The Narrow Margin reflects the "noir view" of an unstable and deceiving moral reality.
It was directed by Peter Hyams. Hackman's performance was praised, but the later version is generally considered a lesser work compared to the original movie.
From Wikipedia, the free encyclopedia. For the film loosely based on this, see Narrow Margin. Theatrical release poster.
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Director: Peter Hyams. Available on Amazon. Added to Watchlist. Stars of the s, Then and Now. Gene Hackman. Share this Rating Title: Narrow Margin 6.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Gene Hackman Robert Caulfield Anne Archer Hunnicut James Sikking Nelson as James B.
Sikking J. Michael Tarlow M. Emmet Walsh Dominick Benti as M. Emmett Walsh Susan Hogan Kathryn Weller Nigel Bennett Jack Wootton J. Martin Larner B.
Keller Codie Lucas Wilbee Nicholas Barbara Russell Nicholas' Mother as Barbara E. Russell Antony Holland Elderly Man Doreen Ramos Elderly Woman Kevin McNulty James Dahlbeck Andrew Rhodes Edit Storyline A woman secretly witnesses the murder of her blind date for the evening by a top Mafia boss.
Taglines: One witness. Two determined killers. The ultimate thrill ride. Edit Did You Know? Trivia J. Walsh and J.
Preston both appeared in A Few Good Men
In: Thomas Koebner Hrsg. Mario Kassar. Diese Website verwendet Cookies. Ein ausdrucksstarkes Licht-Schatten-Spiel wird wiederholt auf den Gesichtern der Protagonisten Crows Zero Stream German Wechsel aufgefächert und reduziert. Chiaroscuro ital. Später gibt es noch eine kurze Szenenanalyse meiner Lieblingsstelle, die ich mir auch fürs Booklet dieser Edition gewünscht hätte. Es gibt nur wenige Momente, in denen ein solcher Langstrecken-Nachtexpress doch einmal anhält und an entlegenen Orten kurz pausiert. Die natürliche Filmstruktur blieb bei der Restauration erhalten, ein feines Korn überzieht das ursprünglich fotochemisch entwickelte Bild.
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