
F. Murray Abraham Fahrid Murray Abraham
Fahrid Murray Abraham ist ein US-amerikanischer Schauspieler. Für seine Rolle als Antonio Salieri im Filmdrama Amadeus erhielt er mehrere Auszeichnungen, darunter einen Oscar und einen Golden Globe Award. F. Murray Abraham – Wikipedia. Fahrid Murray Abraham (* Oktober in Pittsburgh, Pennsylvania) ist ein US-amerikanischer. F. Murray Abraham (* Oktober in Pittsburgh, Pennsylvania, USA als Murray Abraham 81 Jahre alt) ist ein US-amerikanischer Sänger und Schauspieler. F. Murray Abraham - Biografie, Infos und Bilder - ProSieben - Für seine Rolle als Mozarts Widersacher Antonio Salieri in "Amadeus" erhielt F. Murray Abraham. Serien und Filme mit F. Murray Abraham: Mythic Quest: Raven's Banquet · The Orville · Homeland · The Good Fight · Inside Amy Schumer · Good Wife · . Sein schauspielerisches Handwerk lernt Murray Abraham unter Uta Hagen in New York und steht von da an auf verschiedenen Theaterbühnen. Das "F" in.

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Murray Hidalgo Stream September Eleven That's one of the best sets in Hollywood. If M Net Verfügbarkeit going to do Medea, you have got to investigate within yourself the possibility of killing your children - I mean the absolute, actual reality of that. I have advice for people who win Academy Awards. View agent, publicist, legal and company contact details on IMDbPro. La Stage Schauplatz Des Verbrechens. Omar says: If anything happens to that buy money Oh what sublimity, what depth, what passion in the Stream Legend
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F. Murray Abraham reads Peter Shaffer's Amadeus - BBC Radio Drama Bill Murray. Tom Tykwer. Nahkampf Dei - Der blutige Weg Gottes. Das Geheimnis Des Steinernen Monsters Luhrmann. Teilen Twittern Mailen. Home Stars F. Paul Walker. Taron Egerton. Matthew Broderick. Jesse Eisenberg.Am I really going to die? In a way, it makes you more aggressive, at least that's how I feel. I feel more aggressive about accomplishing things.
I couldn't believe the money I was being offered, but I put the script away after 10 pages. I have advice for people who win Academy Awards.
If your agent doesn't come up with a really good offer within six months of having a nomination, you have to change your agent. No matter how loyal you feel.
Because if you can't get a really good job, a big job, out of that, there's something wrong. Don't let that sense of loyalty get in the way of your career, unless it means a lot to you to simply stay loyal.
I mean, you've got to at least give a nod to the music. It's a terrific movie, but whatever quibbles you have with it, what about the music?
How can you not acknowledge that? But it also meant going to a part of the world that I'd never been to. I wanted to see Thailand.
So I went. And I had a good time. When you have good material, it makes it a lot easier. That one, and The Good Wife , I appear on at least once a season.
It's a treat because the material is so good. Just learn the lines and do it. That's one of the best sets in Hollywood.
They're terrific people; just so welcoming. It's a four and a half hour makeup, and they were just always looking after your comfort, helping and good food.
The director Jonathan Frakes is from the theater - he's a musical comedy actor - he's a very good baritone singer, and he really likes to have a good time on the set, keeps things bouncing along - he's got amazing energy.
And every once in a while he'd just burst into song - we used to do duets from Oklahoma! I had a great time on that.
I wish it had been more successful. I really do. If you accept the kind of amazing fortune that brought me a part like Salieri, then you have to accept everything that goes with it.
If afterwards you're not given parts of that stature, of that magnitude, of that importance, you can't grouse about it, you have to accept it.
I think this man Nero's one of the most important filmmakers in Italy today. He's a very smart man and we based a lot of what we did on some of the classic mystics in history.
There are still important filmmakers, very independent, like Nero - not enough of them - but I think they're coming up. You know the book "The Little Prince"?
Wes Anderson is the Little Prince grown up. I swear! Life is full of fortune and mine was very good when I met him.
He's probably one of the best I ever worked with. The thing he shares with the Coen brothers, for example, is that the set is comfortable.
There's one boss - with the Coen brothers it's two guys with one mind. But everyone on the set is aware that the buck stops there.
He knows what he wants and how he's gonna get it, and you completely trust him, and it's a very comfortable situation because you know finally, also, that you trust that it's going to be good.
And that's not common. In a case like working for this guy, if it doesn't work out, it's still been a remarkable film experience.
He basically has the same crew around him, which is what the Coen brothers do, and he has people that trust him and like him that give him what he wants and they know what his eye is looking for.
So you're accepted into the family - it is a family feeling. One of the elements that distinguishes a good director as far as I'm concerned is few words.
And what that indicates is they know what they want, otherwise it gets too verbose and you kind of lose your way in the verbiage and the talk.
It becomes more about the director than finding the truth in the character or the scene. Wes is just very quiet and very simple, and he knows so clearly what he wants that you tend to just simply trust him.
I just throw it out and see what happens. If it sounds and feels right, then I continue. I think creativity is spiritual, I absolutely believe that.
I love parties, I love a good time. I am afraid of nothing on stage. I will try anything. As a matter of fact, I embrace the danger.
The difficulty is capturing surprise on film. The idea that you can make love and not war really is pretty neat. That thing in Korea, the thing in Israel - that's all over the world.
There must be a new way of thinking. I'd like President Bush to think maybe there's another way to think, that maybe Kissinger was wrong when he says we had to go in there because he was wrong about Vietnam.
People desire power. I don't know why they want it so. It seems to me it implies a hugely superior intellect which separates them from most of the populace.
I'm not going to just say nice things about everybody unless I mean it. And we could hear the music accompanying the words What more can you ask for?
I was really scared! I had talked the talk, and now I had to walk the walk. For three days, I couldn't answer the phone.
As much preparation as I had made for the old man Salieri, gestures and so on, the fact is after sitting for hours, your movements are kind of slow.
Once I looked into a mirror at my face, I felt like it was completely convincing. I was Salieri. I have two brothers buried in the military cemetery in Texas.
I don't want to see any more of that. I don't want to talk in terms of miracles. I think this is a very serious situation. But I do want to talk in terms of Bush becoming a man of the hour, and I think this is way to do it.
All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
I'd like President Bush to get a gun in his hands. I'll go with him. I can't think of anything better than to die in places just beginning their lives.
Woody Allen sets are very quiet. Extraordinary sense of power from a man who doesn't do anything except just stand there.
I really like to experiment. That's the only way I can work. It's instinctive. There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong.
Connery's one. I'm just having a wonderful time. It's an interesting thing that I'm very comfortable with this material and I don't know why. Maybe it's because I did Macbeth.
In a way, that contributed to the success of the performance. With Connery, he does act. He is in complete command. He completely trusts the person first, then the instrument.
I've worked with his son also, on a picture in Russia Jamila If these men decided that they have to go in there and fight, I want them to send their own children and grandchildren.
I want them to not send a bunch of strangers' kids in there to fight and die. I trust that the president will try, just give it one more shot, some revolutionary way of not doing this, of bringing all those kids back home safely.
In the middle of the scene, I thought, "That's Sean Connery! I still feel that way. I said, "Tell me what I have to do next because I'm busy painting my kitchen.
He's a genius. He was probably the only authentic genius actor I ever knew, I ever saw. He was an inspiration. He remains an inspiration.
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Won 1 Oscar. Known For. The Grand Budapest Hotel Mr. Amadeus Antonio Salieri. Mighty Aphrodite Leader. Star Trek: Insurrection Ru'afo.
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The awards were first presented in , and winners receive…. Antonio Salieri , Italian composer whose operas were acclaimed throughout Europe in the late 18th century.
At the age of 16, Salieri was taken to Vienna by F. Gassmann, the imperial court…. Amadeus , American dramatic film, released in , that was a largely fictionalized account of the relationship between Wolfgang Amadeus Mozart and his less talented but popular contemporary Antonio Salieri.
Paul Walker. Wirken Schwierige Anfänge A. Torture Chamber Boothe. Murray Abraham im TV. Chiwetel Ejiofor. Roger Moore. Christiane Hörbiger. Herkunft Fahrid Murray Abraham wurde amF. Murray Abraham - Sprecher in Serien
Dominic Monaghan. Murray Abraham ist nur eine von über Terrence Howard. Johannes Herrschmann.
Corpus Dei - Der blutige Weg Gottes. Eric Dane. Gerne gesehen. Matthew Broderick. Tom Tykwer. Joaquim de Almeida. Muppets aus dem All. Woody Harrelson. Murray Abraham, Philip J. Smith and More, Presented Tonight". May 4, Retrieved June 3, Murray Abraham at Wikipedia's sister projects.
Awards for F. Academy Award for Best Actor. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. Wikimedia Commons. Abraham in They Might Be Giants. The Prisoner of Second Avenue. The Sunshine Boys. All the President's Men.
The Name of the Rose. The Favorite. An Innocent Man. The Battle of the Three Kings. The Bonfire of the Vanities.
Through an Open Window. National Lampoon's Loaded Weapon. Children of the Revolution. Star Trek: Insurrection.
The Knights of the Quest. Rua Alguem My Father. Too Much Romance It's Time for Stuffed Peppers. The Bridge of San Luis Rey. Carnera: The Walking Mountain.
Goltzius and the Pelican Company. September Eleven The Gambler Who Wouldn't Die. The Grand Budapest Hotel. The Mystery of Dante.
The Day of the Siege: September Eleven A Little Game. Lady and the Tramp. Things Heard and Seen. How to Survive a Marriage.
Hudson Street. Aired pilot; replaced by Gregory Sierra. Marco Polo. The Betrothed. The First Circle. Journey to the Center of the Earth. Dead Man's Walk.
Excellent Cadavers. Kingdom of David: The Saga of the Israelites. Pompeii: The Last Day. Saving Grace. Curb Your Enthusiasm.
Mythic Quest: Raven's Banquet. Royale Theatre , Broadway. Ethel Barrymore Theatre , Broadway. Brooks Atkinson Theatre , Broadway. Walter Kerr Theatre , Broadway.
A Month in the Country. Gates says: Evolution has a way of keeping things alive. Gates says: My God, the organs, they're Antonio Salieri says: On the page it looked nothing.
The beginning simple, almost comic. Just a pulse, bassoons and basset horns, like a rusty squeezebox. Then suddenly; high above it, an oboe, a single note, hanging there unwavering, till a clarinet took over and sweetened it into a phrase of such delight!
This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the very voice of God.
Antonio Salieri says: I will speak for you, Father. I am their patron saint. Antonio Salieri says: You choose for your instrument a boastful, lustful, smutty infantile boy Because you are unjust, unfair, unkind, I will block you.
I swear it. I will hinder and harm your creature as far as I am able. I will ruin your incarnation. Antonio Salieri says: All I wanted was to sing to God.
He gave me that longing Tell me that. If He didn't want me to praise him with music, why implant the desire? Like a lust in my body!
And then deny me the talent? Omar says: If anything happens to that buy money Omar says: And chico, if anything happens to that buy-money, eee pobrecito, my boss is gonna stick your heads up your asses faster than a rabbit gets fucked.
View All. News My Account sign up log in log out. Lady and the Tramp. Robin Hood. Isle of Dogs. Every Act of Life. A Little Game. The Grand Budapest Hotel.
Dead Man Down. Inside Llewyn Davis. Love, Marilyn. No Score Yet. The Day of the Siege: September Eleven Goltzius and the Pelican Company.
Nature: Endangered Animals. Sword of War. Shark Swarm. Professor Bill Girdler Character. Carnera: The Walking Mountain. A House Divided.
The Inquiry. Quiet Flows the Don. The Stone Merchant. Operation Lysistrata. The Bridge of San Luis Rey.
Five Moons Plaza. My Father, Rua Alguem Pompeii: The Last Day. Thirteen Ghosts. The Knights of the Quest. Delfinello da Coverzano Character.
Murray Abraham. Showing all 99 items. During a ceremony in Rome, he was awarded the "Premio per gli Italiani nel Mondo".
This is a prize distributed by the Marzio Tremaglia foundation and the Italian government to Italian emigrants and their descendants who have distinguished themselves abroad.
Early in his career, he was one of the "Fruit of the Loom guys" men dressed up as fruits in the underwear commercials. Has filmed Scarface in Los Angeles at the same time as Amadeus in Prague, necessitating four round trip flights between the two.
He and Bradbury remained friends until Bradbury's death. He was the on-the-scene hero of a real-life crime scene at the Classic Stage Company in New York City, when he traded blows with a thief in the dressing room area during a public rehearsal.
Of those, Amadeus is a winner in the category. He was originally considered for the role of painter Van Brenkelen in N'oublie pas que je t'aime , eventually played by Robert Russell.
He was considered for the role of the Master in the television movie Doctor Who , which went to Eric Roberts. His contract for The Bonfire of the Vanities stipulated that his name appear above the title in the advertising, or not at all.
Has appeared in two films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: All the President's Men and Amadeus Rami Malek , who won for Bohemian Rhapsody , is the second.
He was awarded the John H. Had two brothers: Robert Abraham and Jack Abraham, who were killed in separate automobile accidents.
His first major success as an actor was as Antonio Salieri in Amadeus at age That's how strongly I feel about this organization. I do not say that lightly.
I have dined with kings, shared equal billing with my idols, lectured at Harvard and Columbia. If this is a jinx, I'll take two. Some actors might find that disconcerting, but I find it refreshing.
But you're not going to hear any of those speeches, because none of the speeches were less than forty-five seconds.
You know, it's easy to gamble everything when you've got nothing to lose, and Milos Forman had a great deal to lose when he gave these brilliant roles to Tom Hulce and me, and his courage became my inspiration.
There's only one thing that's missing for me tonight, and that's to have Tom Hulce standing by my side. You keep getting offered the same role you got the Oscar for.
Every time you complain, they don't change the script; they just offer you more money. For the first 15 years of my career, I was only doing comedy - all comedy - and as soon as Salieri happened, I was offered all sinister villains.
I'm a highly technical actor; I really do work hard on the work and I do a lot of research and so on. But I'm an instinctive actor; I'm absolutely instinctual and I really allow it to carry me wherever it's going to go, even during a performance - I just let it take me.
It's a pretty exciting ride - doesn't always work - but when it does it's thrilling. It's thrilling to see an actor who's willing to take these chances - it inspires other people to do the same.
But to commit yourself to it is a little dangerous, and fun - that's why I do it. British actors have their feel for Shakespeare and we Americans have ours, and I think that we have a lot to learn from each other.
As soon as I stepped on the stage, I knew exactly where I belonged for the rest of my life. I knew immediately - a revelation.
I don't know how it happens. I think it was the hand of God. I'm grateful. But you've got to have the courage to follow those revelations.
I had to fly back and forth from Prague to Hollywood to shoot the two films at the same time. It's not as hard as you think. They're so different - if they were close, it would have been difficult.
One was kind of a vacation from the other. The material was very good in both films, so I could just study on the plane when I was going to Hollywood and then I'd study the other script on the way back to Prague.
I think I travelled four times back and forth. It was funny. If you look carefully, you will see a couple of the same gestures from those two films, but you have to look carefully.
I think every actor in the world wanted that part. You name a famous actor from the day, and they wanted that role and they were guaranteed box office.
Fortunately for me, Milos Forman had something else in mind - thank God! It turns out it was me and Tom Hulce.
I don't know if he knew exactly what he had in mind until he came across the actor he thought seemed to have fit.
That's takes a lot of courage; because the film was bankrolled by one producer, all his own money. It was written by a Brit for a Brit. It was like they were going through the motions - they had to see some American actors.
And I was nobody! It was a very long shot. It was out of the question and I just did my best. I gave obviously a good audition for him on camera and then just dismissed it.
I really did. The truth - it's always got to be the truth. And there's only one truth you can ever rely on, and that's your instinct and your idea of the truth.
Not on somebody else's but your own, within the context of the script - you are in their world. There are some actors now, quite famous, who are applauded for their work, and in fact they're acting quite alone.
They could be doing that performance in an empty room and it would be exactly the same. I don't believe in that. I believe in working with the actors.
I don't know what I expected because of his politics but he's a real pro. I think it was an underrated film and John McTiernan 's a good guy.
He stands stock-still, very quiet, and people stand around him in circles and groups, waiting for whatever he says to do - these great big men, these tough men - they're all just waiting, and it's a very quiet set.
And he says this, and it gets done. He doesn't like to start work too early and he doesn't like to work too late.
And he makes two films a year. Don't tell me it can't be done - I was there! And it's a treat. I didn't want to leave. I thought, "This is the way movies should be made all the time.
It was a pleasure. We almost froze to death doing it but it pays a lot of bills. No apologies. I had a good time. I believe acting is self-discovery.
I really try to find within myself what that character is about. When you're acting, you're not taking on the persona of someone else - you're endowing it with qualities in yourself that reflect what you think that character is.
It's quite a difference. You can't invent something that does not exist within your imagination. It's got to be something that's conceivable.
Not that you know everything about yourself, but to discover those things about yourself, ugly as they may be - now that's the danger.
If you're going to play someone who is envious, if you're going to play someone who is looking for revenge, you really must examine that in yourself.
And sometimes you'll find areas of yourself that are just not very pretty. If you're going to do Medea, you have got to investigate within yourself the possibility of killing your children - I mean the absolute, actual reality of that.
How many actresses are willing to do that? Because it's a dangerous, dark place. A couple of years ago, a woman killed her two children for love of a man.
That's Medea. I mean, she did it: she locked them in the car and put them in the lake. So we know it's possible, and this woman is not a huge character.
She's a housewife, a person like so many Americans, and if she's capable of doing that, then anyone who calls herself an actress is capable of it, and that's got to be examined.
The problem is the danger you feel about not ever coming back from that dark place, but that's what separates the great ones from the good ones.
That's my motto. I have to tell it to myself all the time. Go with your instincts. Do what your heart tells you - but do it with a strong support of technique.
Don't just be flying around in your mind, letting anything happen. You've got to have a solid technique for those nights when you just don't feel up to it.
And there are many nights like that. Also, you really have to read.
Dieser Artikel:Amadeus von F. Murray DVD 12,10 € 33 Minuten; Darsteller: F. Murray, Abraham, Hulce, Tom, Berridge, Elizabeth, Callow, Simon, Dotrice, Roy. Murray Abraham. Sein Durchbruch kam mit "Amadeus": F. Murray Abraham. F. Murray Abraham ist ein amerikanischer Schauspieler. Entdecke seine Biographie, Details seiner 47 Karriere-Jahre und alle News. F. Murray Abraham ist ein amerikanischer Schauspieler. Entdecke seine Biographie, Details seiner 47 Karriere-Jahre und alle News. F. Murray Abraham. Schauspieler. (80 Jahre alt) Pittsburgh, Pennsylvania, USA. Michael Loccisano/Getty Images Entertainment/Getty Images.
Ich entschuldige mich, aber diesen ganz anderes. Wer noch, was vorsagen kann?
Unvergleichlich)))))))
Ist Einverstanden, es ist der ausgezeichnete Gedanke